Antislavery and the country house

30 April 2026

A wide view of a peach‑coloured historic building with arched windows and ivy‑covered walls, set behind a green lawn and low stone wall, with trees and a blue, partly cloudy sky in the background.
A path in Killerton’s gardens lined with Canadian Redwood trees.
A framed oil portrait of Hannah More seated indoors, wearing a blue dress with a light shawl, shown against rich drapery and furnishings, in an ornate gilt frame on patterned wallpaper.
Photo of the author with Killerton House in the background.